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Composer: Libby Larsen (1950-)
Alphabetic listing of musical settings [warning - not necessarily comprehensive]
[x] indicates a placeholder for a text that is not yet in the database
* indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
Note: A blue rectangle containing a language code such as ENG indicates the presence of a translation to that language. A grey rectangle such as FRE indicates a particular translation (usually one set to music) exists but is missing.
Song Cycles, Symphonies, etc.
All titles of vocal settings in our database, in alphabetic order
 A man can love two women (in Songs from Letters) (Text: Martha Jane Cannary)
A working woman (in Songs from Letters) (Text: Martha Jane Cannary)
Adrift! A little boat adrift! (in By a departing light) (Text: Emily Dickinson) FRE
All I have (in Songs from Letters) (Text: Martha Jane Cannary)
Antonía (in My Antonía) (Text: Willa Cather) [x]*
Antonía in the Field (in My Antonía) (Text: Willa Cather) [x]*
Belovèd, thou hast brought me many flowers (in Belovèd, thou hast brought me many flowers) (Text: Elizabeth Barrett Browning) GER
Billy the Kid (in Three Cowboy Songs)
Bind me - I still can sing (in By a departing light) (Text: Emily Dickinson) FRE
Bucking bronco (in Three Cowboy Songs) (Text: Belle Starr)
By a departing light (in By a departing light) (Text: Emily Dickinson) ITA GER
Clinging (in Late in the day) (Text: Jeanne Shepard) *
Do you know (in Belovèd, thou hast brought me many flowers) (Text: Margaret Dows Herter Norton Crena de Iongh after Rainer Maria Rilke) *
Donal Oge (Text: Isabella Augusta, Lady Gregory after Anonymous/Unidentified Artist)
From "Requiem" (in Three Rilke Songs) (Text: after Rainer Maria Rilke) *
Go from me (in Belovèd, thou hast brought me many flowers) (Text: Elizabeth Barrett Browning) GER
He never misses (1880) (in Songs from Letters) (Text: Martha Jane Cannary)
How do I love thee? (in Sonnets From the Portuguese) (Text: Elizabeth Barrett Browning) CHI GER HUN
I am, you anxious one (in Three Rilke Songs) (Text: after Rainer Maria Rilke) *
I cried unto God (Text: Bible or other Sacred Texts)
I thought once how Theocritus... (in Sonnets From the Portuguese) (Text: Elizabeth Barrett Browning) GER
If I had grown up (in Three Rilke Songs) (Text: after Rainer Maria Rilke) *
If I leave all for thee (in Sonnets From the Portuguese) (Text: Elizabeth Barrett Browning) GER GER
In this short Life (in By a departing light) (Text: Emily Dickinson) ITA
Jazz at the Intergalactic Nightclub (Text: Thomas Matthew McGrath) *
Landscape I -- From the Train (in My Antonía) (Text: Willa Cather) [x]*
Landscape II -- Winter (in My Antonía) (Text: Willa Cather) [x]*
Landscape III -- Prairie Spring (in My Antonía) (Text: Willa Cather) [x]*
Landscape IV -- Sunset (in My Antonía) (Text: Willa Cather) [x]*
Liebeslied (in Belovèd, thou hast brought me many flowers) (Text: Margaret Dows Herter Norton Crena de Iongh after Rainer Maria Rilke) * ITA
Lift me into heaven slowly (in Three Cowboy Songs) (Text: Robert Creeley)
Music, when soft voices die (in Belovèd, thou hast brought me many flowers) (Text: Percy Bysshe Shelley) RUS GER FRE
My letters! (in Sonnets From the Portuguese) (Text: Elizabeth Barrett Browning) GER
Oh, yes! (in Sonnets From the Portuguese) (Text: Elizabeth Barrett Browning) GER
So like your father's (1880) (in Songs from Letters) (Text: Martha Jane Cannary)
The Ant and the Grasshopper (in Late in the day) (Text: Jeanne Shepard) *
The Hired Girls (in My Antonía) (Text: Willa Cather) [x]*
The witches' trio DUT
Travelling (in Late in the day) (Text: Jeanne Shepard) *
White World (in Belovèd, thou hast brought me many flowers) (Text: Hilda Doolittle) *
With the same heart, I said, I'll answer thee (in Sonnets From the Portuguese) (Text: Elizabeth Barrett Browning) GER
[x] indicates a placeholder for a text that is not yet in the database
* indicates that a text cannot (yet?) be displayed on this site because of its copyright status.
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