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Composer: John Linton Gardner (1917-)

Alphabetic listing of musical settings [warning - not necessarily comprehensive]

[x] indicates a placeholder for a text that is not yet in the database
* indicates that a text cannot (yet?) be displayed on this site because of its copyright status.

See Opus Order

Song Cycles, Symphonies, etc.

A Burns Sequence , op. 213

no. 1. Prayer under the pressure of violent anguish (Text: Robert Burns)
no. 2. Raging fortune (Text: Robert Burns)
no. 3. My luve is like a red, red rose (Text: Robert Burns) SWG GER CZE SWE GER
no. 4. Will ye go to the Indies, my Mary? (Text: Robert Burns)
no. 5. O whistle an'I'll come to you (Text: Robert Burns)
no. 6. Ca' the yowes to the knowes (Text: Robert Burns)
no. 7. Macpherson's farewell (Text: Robert Burns) RUS
no. 8. Paraphrase of the First Psalm (Text: Robert Burns after Bible or other Sacred Texts) GER FRE

A Shakespeare Sequence , op. 66

no. 1. It was a lover and his lass (Text: William Shakespeare) GER FRE FIN
no. 2. Who is Silvia? (Text: William Shakespeare) DUT SPA GER FRE FIN
no. 3. O mistress mine (Text: William Shakespeare) ITA GER FRE FIN GER
no. 4. If music be the food of love, play on (Text: William Shakespeare) FRE
no. 5. Take, o take those lips away DUT GER FRE FIN GER POL
no. 6. Full fathom five (Text: William Shakespeare) DUT NOR ITA FRE FIN SPA
no. 7. Orpheus with his lute DUT FRE GER FIN SWE GER
no. 8. Under the greenwood tree (Text: William Shakespeare) GER FRE FIN GER

A Suite of 5 Songs from Palgrave's Golden Treasury

no. ?. Take, o take those lips away DUT GER FRE FIN GER POL
no. ?. Death, come away, come away (Text: William Shakespeare) NOR DUT SWE ITA FRE GER FIN GER

Five Encounters for Six Voices , op. 118

no. 1. There was a maid a-milking [x]
no. 2. As I sit by my spinning wheel [x]
no. 3. The thankful country lass [x]
no. 4. The new balow
no. 5. There was a knight and he was young [x]

Five Part Songs to Poems by Wallace Stevens , op. 142

no. 1. Depression before Spring (Text: Wallace Stevens)
no. 2. Peter Quince at the Clavier (Text: Wallace Stevens)
no. 3. Ploughing on Sunday (Text: Wallace Stevens)
no. 4. Life is motion (Text: Wallace Stevens)
no. 5. Cy est Pourtraicte, Madame Ste Ursule, et les Unze Mille Vierges (Text: Wallace Stevens)

Five Philanders , op. 125

no. 1. Rejection [x]
no. 2. Parting [x]
no. 3. Falsehood (Text: William Blake) FRE
no. 4. Contentment [x]
no. 5. Fulfilment [x]

Four Hymn Tunes for Male Voices , op. 101

no. 1. As pants the hart (Text: Bible or other Sacred Texts after Bible or other Sacred Texts)
no. 2. Who would true valour see (Text: John Bunyan)
no. 3. The call [x]
no. 4. God of the morning [x]

Four Partsongs to Lyrics by Robert Burns , op. 246

no. 1. Farewell to Eliza (Text: Robert Burns) ITA GER FRE
no. 2. Delia (Text: Robert Burns)
no. 3. On Chloris being ill (Text: Robert Burns)
no. 4. To Miss Isabella MacLeod (Text: Robert Burns)

Four Sailor Songs , op. 108

no. 1. In Plymouth town (Text: Volkslieder ) [x]
no. 2. As I walked down on Broadway [x]
no. 3. Shenandoah [x]
no. 4. What shall we do with the drunken sailor? (Text: Volkslieder )

Four Songs to poems by Thomas Hardy , op. 235

no. 1. The selfsame song (Text: Thomas Hardy)
no. 2. The singing woman (Text: Thomas Hardy)
no. 3. First or last (Text: Thomas Hardy)
no. 4. A bygone occasion (Text: Thomas Hardy)

Four Wanton Ballads , op. 81

no. 1. Pleasant New Court Song [x]
no. 2. Godly Girzie [x]
no. 3. The Sandgate lass's lamentation (Text: Volkslieder )
no. 4. The old man and young wife [x]

Hebdomade , op. 150

no. 1. Sweet Suffolk Owl (Text: Thomas Vautor)
no. 2. Fain would I change that note
no. 3. Weep you no more, sad fountains (Text: 16^th century) GER
no. 4. A Sparrow-Hawk proud did hold in wicked jail
no. 5. Mother, I will have a husband
no. 6. Interlude [x]
no. 7. It was a lover and his lass (Text: William Shakespeare) GER FRE FIN

Herrick Cantata , op. 49 [cantata]

no. 1. To music, a song (Text: Robert Herrick)
no. 2. To daisies, not to shut too soon (Text: Robert Herrick)
no. 3. A dialogue betwixt himself and Mistress Eliza Wheeler (Text: Robert Herrick)
no. 4. Cherry ripe (Text: Robert Herrick)
no. 5. Love: what it is (Text: Robert Herrick)
no. 6. To love (Text: Robert Herrick) [x]
no. 7. Corinna's gone a-Maying (Text: Robert Herrick)
no. 8. To Music, to becalm his fever (Text: Robert Herrick) GER
no. 9. On himself (Text: Robert Herrick) [x]
no. 10. To Anthea, who may command him anything (Text: Robert Herrick) FRE

Nine poems from the note-book (1793) of William Blake , op. 138

no. 1. Day (Text: William Blake) RUS
no. 2. I laid me down upon a bank (Text: William Blake)
no. 3. A cradle song (Text: William Blake) WEL
no. 4. The wild flower's song (Text: William Blake)
no. 5. I saw a chapel all of gold (Text: William Blake)
no. 6. I asked a thief (Text: William Blake)
no. 7. To Nobodaddy (Text: William Blake)
no. 8. The fairy (Text: William Blake)
no. 9. Infant sorrow (Text: William Blake)

Octad , op. 177

no. 1. Prelude [x]
no. 2. Paradigma amoris [x]
no. 3. The lover [x]
no. 4. Spring song [x]
no. 5. In the garden [x]
no. 6. Drinking song [x]
no. 7. Nocturne [x]
no. 8. Wedding song [x]

Partsongs to poems by Robert Herrick , op. 196

no. 1. To violets (Text: Robert Herrick)
no. 2. On himself (Text: Robert Herrick) [x]
no. 3. Another on love (Text: Robert Herrick)
no. 4. A hymn to love (Text: Robert Herrick)

Proverbs of Hell , op. 85

no. 1. In seed time learn, in harvest teach, in winter enjoy. (Text: William Blake) SWE
no. 2. I heard an Angel singing (Text: William Blake)
no. 3. Epilogue to the Accuser who is God of this World (Text: William Blake)

Recollections of Love , op. 242

no. 1. How warm this woodland wild Recess (Text: Samuel Taylor Coleridge)
no. 2. Eight springs have flown (Text: Samuel Taylor Coleridge)
no. 3. No voice as yet had made the air (Text: Samuel Taylor Coleridge)
no. 4. As when a mother doth explore (Text: Samuel Taylor Coleridge)
no. 5. You stood before me like a thought (Text: Samuel Taylor Coleridge)
no. 6. Has not, since then, Love's prompture deep (Text: Samuel Taylor Coleridge)
no. 7. A slumber did my spirit seal (Text: William Wordsworth)

Seven Poems of Stevie Smith , op. 126

no. 1. Après la politique (Text: Stevie Smith) [x]*
no. 2. The bereaved swan (Text: Stevie Smith) [x]*
no. 3. My cats (Text: Stevie Smith) [x]*
no. 4. The jungle husband (Text: Stevie Smith) [x]*
no. 5. The cock and the hen (Text: Stevie Smith) [x]*
no. 6. Pad, pad (Text: Stevie Smith) *
no. 7. Private means is dead (Text: Stevie Smith) [x]*

Seven Songs , op. 36

no. 1. Hark, hark! the lark (Text: William Shakespeare) DUT ITA GER FRE FIN GER
no. 2. Crabbed age and youth
no. 3. Gather ye rosebuds while ye may (Text: Robert Herrick) SPA
no. 4. Fear no more the heat o' the sun (Text: William Shakespeare) ITA GER FIN GER
no. 5. Under the greenwood tree (Text: William Shakespeare) GER FRE FIN GER
no. 6. It is not growing like a tree (Text: Ben Jonson)
no. 7. How happy is he born and taught (Text: Henry Wotton, Sir)

Six by Four , op. 181

no. 1. Lawn as white as driven snow (Text: William Shakespeare)
no. 2. When icicles hang by the wall (Text: William Shakespeare) GER FIN
no. 3. Over hill, over dale (Text: William Shakespeare) ITA
no. 4. Come away, death (Text: William Shakespeare) NOR DUT SWE ITA FRE GER FIN GER
no. 5. When daisies pied (Text: William Shakespeare) NOR GER FRE FIN GER
no. 6. When that I was a little boy (Text: William Shakespeare) SWE DAN GER FRE FIN

Tennyson Trip , op. 122

no. ?. Claribel, a Melody (Text: Lord Alfred Tennyson) GER
no. ?. The Charge of the Light Brigade (Text: Lord Alfred Tennyson)
no. ?. Crossing the Bar (Text: Lord Alfred Tennyson)

The Ballad of the White Horse , op. 40

no. 1. The white horse (Text: Gilbert Keith Chesterton) [x]
no. 2. The northmen (Text: Gilbert Keith Chesterton) [x]
no. 3. The vision of the king (Text: Gilbert Keith Chesterton) [x]
no. 4. The gathering of the chiefs (Text: Gilbert Keith Chesterton) [x]
no. 5. The harp of Alfred (Text: Gilbert Keith Chesterton) [x]
no. 6. The Battle of Ethandune (Text: Gilbert Keith Chesterton) [x]
no. 7. The baptism of Guthrum (Text: Gilbert Keith Chesterton) [x]
no. 8. The scouring of the horse (Text: Gilbert Keith Chesterton) [x]

The Turning Year , op. 19

no. 1. Spring (Text: Christopher Scaife) [x]*
no. 2. Summer (Text: Christopher Scaife) [x]*
no. 3. Autumn (Text: Christopher Scaife) [x]*
no. 4. Winter (Text: Christopher Scaife) [x]*

Three Amorous Airs , op. 104

no. 1. Waly waly (Text: Volkslieder )
no. 2. The German flute [x]
no. 3. The Ballad of Nancy Dee [x]

Three Poems from "A Shropshire Lad" , op. 226

no. 1. Into my heart an air that kills (Text: Alfred Edward Housman) ITA
no. 2. Think no more, lad (Text: Alfred Edward Housman)
no. 3. With rue my heart is laden (Text: Alfred Edward Housman)

Three songs for women's chorus and piano , op. 1

no. 1. Why so pale and wan, fond lover? (Text: Sir John Suckling)
no. 2. Phyllis and Corydon (Text: Nicholas Breton)
no. 3. The baffled knight (Text: Volkslieder ) [x]

Throwaway Lines , op. 214

no. 1. Hymn to Proust [x]
no. 2. Extravagance [x]
no. 3. British Guiana [x]
no. 4. Short time [x]
no. 5. The middle years [x]
no. 6. After Heine [x]
no. 7. Climacteric [x]

Triad , op. 165

no. 1. An odd conceit [x]
no. 2. In love's dispraise [x]
no. 3. A proper song [x]

Waltzsongs , op. 224

no. 1. Love in thy youth, fair maid
no. 2. A birthday [x]
no. 3. Upon Julia's clothes (Text: Robert Herrick)
no. 4. A song [x]
no. 5. Sigh no more, ladies (Text: William Shakespeare) DUT ITA FRE FIN
no. 6. Living [x]

All titles of vocal settings in our database, in alphabetic order

A birthday, op. 224 no. 2 (in Waltzsongs) [x]
A bygone occasion, op. 235 no. 4 (in Four Songs to poems by Thomas Hardy) (Text: Thomas Hardy)
A cradle song, op. 138 no. 3 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake) WEL
A dialogue betwixt himself and Mistress Eliza Wheeler, op. 49 no. 3 (in Herrick Cantata) (Text: Robert Herrick)
A fair maid walking all in her garden, op. 27 (Text: Volkslieder )
A hymn to love, op. 196 no. 4 (in Partsongs to poems by Robert Herrick) (Text: Robert Herrick)
A proper song, op. 165 no. 3 (in Triad) [x]
A slumber did my spirit seal, op. 242 no. 7 (in Recollections of Love) (Text: William Wordsworth)
A song, op. 224 no. 4 (in Waltzsongs) [x]
A Sparrow-Hawk proud did hold in wicked jail, op. 150 no. 4 (in Hebdomade)
After Heine, op. 214 no. 6 (in Throwaway Lines) [x]
An odd conceit, op. 165 no. 1 (in Triad) [x]
And did those feet, op. 6 (Text: William Blake) SPA GER
And when the day of pentecost, op. 4 [x]
Another on love, op. 196 no. 3 (in Partsongs to poems by Robert Herrick) (Text: Robert Herrick)
Après la politique, op. 126 no. 1 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]*
As I sit by my spinning wheel, op. 118 no. 2 (in Five Encounters for Six Voices) [x]
As I walked down on Broadway, op. 108 no. 2 (in Four Sailor Songs) [x]
As pants the hart, op. 101 no. 1 (in Four Hymn Tunes for Male Voices) (Text: Bible or other Sacred Texts after Bible or other Sacred Texts)
As when a mother doth explore, op. 242 no. 4 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
Autumn, op. 19 no. 3 (in The Turning Year) (Text: Christopher Scaife) [x]*
British Guiana, op. 214 no. 3 (in Throwaway Lines) [x]
Ca' the yowes to the knowes, op. 213 no. 6 (in A Burns Sequence) (Text: Robert Burns)
Cherry ripe, op. 49 no. 4 (in Herrick Cantata) (Text: Robert Herrick)
Claribel, a Melody, op. 122 no. ? (in Tennyson Trip) (Text: Lord Alfred Tennyson) GER
Climacteric, op. 214 no. 7 (in Throwaway Lines) [x]
Come away, death, op. 181 no. 4 (in Six by Four) (Text: William Shakespeare) NOR DUT SWE ITA FRE GER FIN GER
Contentment, op. 125 no. 4 (in Five Philanders) [x]
Corinna's gone a-Maying, op. 49 no. 7 (in Herrick Cantata) (Text: Robert Herrick)
Crabbed age and youth, op. 36 no. 2 (in Seven Songs)
Crossing the Bar, op. 122 no. ? (in Tennyson Trip) (Text: Lord Alfred Tennyson)
Cy est Pourtraicte, Madame Ste Ursule, et les Unze Mille Vierges, op. 142 no. 5 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Day, op. 138 no. 1 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake) RUS
Death, come away, come away (in A Suite of 5 Songs from Palgrave's Golden Treasury) (Text: William Shakespeare) NOR DUT SWE ITA FRE GER FIN GER
Delia, op. 246 no. 2 (in Four Partsongs to Lyrics by Robert Burns) (Text: Robert Burns)
Depression before Spring, op. 142 no. 1 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Drinking song, op. 177 no. 6 (in Octad) [x]
Eight springs have flown, op. 242 no. 2 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
Entertainment of the Senses, op. 121 [x]
Epilogue to the Accuser who is God of this World, op. 85 no. 3 (in Proverbs of Hell) (Text: William Blake)
Extravagance, op. 214 no. 2 (in Throwaway Lines) [x]
Fain would I change that note, op. 150 no. 2 (in Hebdomade)
Fair daffodils, op. 9 (Text: Robert Herrick) DUT FIN
Falsehood, op. 125 no. 3 (in Five Philanders) (Text: William Blake) FRE
Farewell to Eliza, op. 246 no. 1 (in Four Partsongs to Lyrics by Robert Burns) (Text: Robert Burns) ITA GER FRE
Fear no more the heat o' the sun, op. 36 no. 4 (in Seven Songs) (Text: William Shakespeare) ITA GER FIN GER
Fifteen million plastic bags, op. 69 (Text: Adrian Mitchell) *
First or last, op. 235 no. 3 (in Four Songs to poems by Thomas Hardy) (Text: Thomas Hardy)
Fulfilment, op. 125 no. 5 (in Five Philanders) [x]
Full fathom five, op. 66 no. 6 (in A Shakespeare Sequence) (Text: William Shakespeare) DUT NOR ITA FRE FIN SPA
Gather ye rosebuds while ye may, op. 36 no. 3 (in Seven Songs) (Text: Robert Herrick) SPA
God of the morning, op. 101 no. 4 (in Four Hymn Tunes for Male Voices) [x]
Godly Girzie, op. 81 no. 2 (in Four Wanton Ballads) [x]
Hail the day that sees him rise, op. 24 [x]
Hark, hark! the lark, op. 36 no. 1 (in Seven Songs) (Text: William Shakespeare) DUT ITA GER FRE FIN GER
Has not, since then, Love's prompture deep, op. 242 no. 6 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
How happy is he born and taught, op. 36 no. 7 (in Seven Songs) (Text: Henry Wotton, Sir)
How warm this woodland wild Recess, op. 242 no. 1 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
Hymn to Proust, op. 214 no. 1 (in Throwaway Lines) [x]
I asked a thief, op. 138 no. 6 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
I heard an Angel singing, op. 85 no. 2 (in Proverbs of Hell) (Text: William Blake)
I laid me down upon a bank, op. 138 no. 2 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
I saw a chapel all of gold, op. 138 no. 5 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
If music be the food of love, play on, op. 66 no. 4 (in A Shakespeare Sequence) (Text: William Shakespeare) FRE
In love's dispraise, op. 165 no. 2 (in Triad) [x]
In Plymouth town, op. 108 no. 1 (in Four Sailor Songs) (Text: Volkslieder ) [x]
In seed time learn, in harvest teach, in winter enjoy. , op. 85 no. 1 (in Proverbs of Hell) (Text: William Blake) SWE
In the garden, op. 177 no. 5 (in Octad) [x]
Infant sorrow, op. 138 no. 9 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
Interlude, op. 150 no. 6 (in Hebdomade) [x]
Into my heart an air that kills, op. 226 no. 1 (in Three Poems from "A Shropshire Lad") (Text: Alfred Edward Housman) ITA
It is not growing like a tree, op. 36 no. 6 (in Seven Songs) (Text: Ben Jonson)
It was a lover and his lass, op. 66 no. 1 (in A Shakespeare Sequence) (Text: William Shakespeare) GER FRE FIN
It was a lover and his lass, op. 150 no. 7 (in Hebdomade) (Text: William Shakespeare) GER FRE FIN
Lawn as white as driven snow, op. 181 no. 1 (in Six by Four) (Text: William Shakespeare)
Life is motion, op. 142 no. 4 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Living, op. 224 no. 6 (in Waltzsongs) [x]
Love came to me one sweet Spring day, op. 26 (Text: Lucy Etheldred Broadwood)
Love in thy youth, fair maid, op. 224 no. 1 (in Waltzsongs)
Love: what it is, op. 49 no. 5 (in Herrick Cantata) (Text: Robert Herrick)
Loveliest of trees, the cherry now, op. 200 (Text: Alfred Edward Housman)
Macpherson's farewell, op. 213 no. 7 (in A Burns Sequence) (Text: Robert Burns) RUS
Mother, I will have a husband, op. 150 no. 5 (in Hebdomade)
My cats, op. 126 no. 3 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]*
My luve is like a red, red rose, op. 213 no. 3 (in A Burns Sequence) (Text: Robert Burns) SWG GER CZE SWE GER
No voice as yet had made the air, op. 242 no. 3 (in Recollections of Love) (Text: Samuel Taylor Coleridge)
Nocturne, op. 177 no. 7 (in Octad) [x]
O clap your hands, op. 15 [x]
O mistress mine, op. 66 no. 3 (in A Shakespeare Sequence) (Text: William Shakespeare) ITA GER FRE FIN GER
O sing unto my roundelay, op. 5 (Text: Thomas Chatterton)
O whistle an'I'll come to you, op. 213 no. 5 (in A Burns Sequence) (Text: Robert Burns)
On Chloris being ill, op. 246 no. 3 (in Four Partsongs to Lyrics by Robert Burns) (Text: Robert Burns)
On himself, op. 49 no. 9 (in Herrick Cantata) (Text: Robert Herrick) [x]
On himself, op. 196 no. 2 (in Partsongs to poems by Robert Herrick) (Text: Robert Herrick) [x]
Orpheus with his lute, op. 66 no. 7 (in A Shakespeare Sequence) DUT FRE GER FIN SWE GER
Over hill, over dale, op. 181 no. 3 (in Six by Four) (Text: William Shakespeare) ITA
Pad, pad, op. 126 no. 6 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) *
Paradigma amoris, op. 177 no. 2 (in Octad) [x]
Paraphrase of the First Psalm, op. 213 no. 8 (in A Burns Sequence) (Text: Robert Burns after Bible or other Sacred Texts) GER FRE
Parting, op. 125 no. 2 (in Five Philanders) [x]
Peter Quince at the Clavier, op. 142 no. 2 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Phyllis and Corydon, op. 1 no. 2 (in Three songs for women's chorus and piano) (Text: Nicholas Breton)
Pleasant New Court Song, op. 81 no. 1 (in Four Wanton Ballads) [x]
Ploughing on Sunday, op. 142 no. 3 (in Five Part Songs to Poems by Wallace Stevens) (Text: Wallace Stevens)
Prayer under the pressure of violent anguish, op. 213 no. 1 (in A Burns Sequence) (Text: Robert Burns)
Prelude, op. 177 no. 1 (in Octad) [x]
Private means is dead, op. 126 no. 7 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]*
Raging fortune, op. 213 no. 2 (in A Burns Sequence) (Text: Robert Burns)
Rejection, op. 125 no. 1 (in Five Philanders) [x]
Salutation for Georg Goetsch, op. 31 [x]
Shenandoah, op. 108 no. 3 (in Four Sailor Songs) [x]
Short time, op. 214 no. 4 (in Throwaway Lines) [x]
Sigh no more, ladies, op. 224 no. 5 (in Waltzsongs) (Text: William Shakespeare) DUT ITA FRE FIN
Spring, op. 19 no. 1 (in The Turning Year) (Text: Christopher Scaife) [x]*
Spring song, op. 177 no. 4 (in Octad) [x]
Spring, the sweet Spring, op. 35 (Text: Thomas Nashe) GER
Summer, op. 19 no. 2 (in The Turning Year) (Text: Christopher Scaife) [x]*
Sweet Suffolk Owl, op. 150 no. 1 (in Hebdomade) (Text: Thomas Vautor)
Take, o take those lips away, op. 66 no. 5 (in A Shakespeare Sequence) DUT GER FRE FIN GER POL
Take, o take those lips away (in A Suite of 5 Songs from Palgrave's Golden Treasury) DUT GER FRE FIN GER POL
Tell me where is fancy bred, op. 33 (Text: William Shakespeare) DUT ITA FRE
The Argument of his book, op. 10 [x]
The baffled knight, op. 1 no. 3 (in Three songs for women's chorus and piano) (Text: Volkslieder ) [x]
The Ballad of Nancy Dee, op. 104 no. 3 (in Three Amorous Airs) [x]
The baptism of Guthrum, op. 40 no. 7 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The Battle of Ethandune, op. 40 no. 6 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The bereaved swan, op. 126 no. 2 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]*
The call, op. 101 no. 3 (in Four Hymn Tunes for Male Voices) [x]
The Charge of the Light Brigade, op. 122 no. ? (in Tennyson Trip) (Text: Lord Alfred Tennyson)
The cock and the hen, op. 126 no. 5 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]*
The fairy, op. 138 no. 8 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
The gathering of the chiefs, op. 40 no. 4 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The German flute, op. 104 no. 2 (in Three Amorous Airs) [x]
The harp of Alfred, op. 40 no. 5 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The jungle husband, op. 126 no. 4 (in Seven Poems of Stevie Smith) (Text: Stevie Smith) [x]*
The lover, op. 177 no. 3 (in Octad) [x]
The middle years, op. 214 no. 5 (in Throwaway Lines) [x]
The new balow, op. 118 no. 4 (in Five Encounters for Six Voices)
The northmen, op. 40 no. 2 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The old man and young wife, op. 81 no. 4 (in Four Wanton Ballads) [x]
The Sandgate lass's lamentation, op. 81 no. 3 (in Four Wanton Ballads) (Text: Volkslieder )
The scouring of the horse, op. 40 no. 8 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The selfsame song, op. 235 no. 1 (in Four Songs to poems by Thomas Hardy) (Text: Thomas Hardy)
The singing woman, op. 235 no. 2 (in Four Songs to poems by Thomas Hardy) (Text: Thomas Hardy)
The thankful country lass, op. 118 no. 3 (in Five Encounters for Six Voices) [x]
The vision of the king, op. 40 no. 3 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The white horse, op. 40 no. 1 (in The Ballad of the White Horse) (Text: Gilbert Keith Chesterton) [x]
The wild flower's song (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
There was a knight and he was young, op. 118 no. 5 (in Five Encounters for Six Voices) [x]
There was a maid a-milking, op. 118 no. 1 (in Five Encounters for Six Voices) [x]
Think no more, lad, op. 226 no. 2 (in Three Poems from "A Shropshire Lad") (Text: Alfred Edward Housman)
To Anthea, who may command him anything, op. 49 no. 10 (in Herrick Cantata) (Text: Robert Herrick) FRE
To daisies, not to shut too soon, op. 49 no. 2 (in Herrick Cantata) (Text: Robert Herrick)
To love, op. 49 no. 6 (in Herrick Cantata) (Text: Robert Herrick) [x]
To Miss Isabella MacLeod, op. 246 no. 4 (in Four Partsongs to Lyrics by Robert Burns) (Text: Robert Burns)
To music, a song, op. 49 no. 1 (in Herrick Cantata) (Text: Robert Herrick)
To Music, to becalm his fever, op. 49 no. 8 (in Herrick Cantata) (Text: Robert Herrick) GER
To Nobodaddy, op. 138 no. 7 (in Nine poems from the note-book (1793) of William Blake) (Text: William Blake)
To violets, op. 196 no. 1 (in Partsongs to poems by Robert Herrick) (Text: Robert Herrick)
Under the greenwood tree, op. 36 no. 5 (in Seven Songs) (Text: William Shakespeare) GER FRE FIN GER
Under the greenwood tree, op. 66 no. 8 (in A Shakespeare Sequence) (Text: William Shakespeare) GER FRE FIN GER
Upon Julia's clothes, op. 224 no. 3 (in Waltzsongs) (Text: Robert Herrick)
Waly waly, op. 104 no. 1 (in Three Amorous Airs) (Text: Volkslieder )
Wedding song, op. 177 no. 8 (in Octad) [x]
Weep you no more, sad fountains, op. 150 no. 3 (in Hebdomade) (Text: 16^th century) GER
What shall we do with the drunken sailor?, op. 108 no. 4 (in Four Sailor Songs) (Text: Volkslieder )
When daisies pied, op. 181 no. 5 (in Six by Four) (Text: William Shakespeare) NOR GER FRE FIN GER
When icicles hang by the wall, op. 181 no. 2 (in Six by Four) (Text: William Shakespeare) GER FIN
When that I was a little boy, op. 181 no. 6 (in Six by Four) (Text: William Shakespeare) SWE DAN GER FRE FIN
Who is Silvia?, op. 66 no. 2 (in A Shakespeare Sequence) (Text: William Shakespeare) DUT SPA GER FRE FIN
Who would true valour see, op. 101 no. 2 (in Four Hymn Tunes for Male Voices) (Text: John Bunyan)
Why so pale and wan, fond lover?, op. 1 no. 1 (in Three songs for women's chorus and piano) (Text: Sir John Suckling)
Will ye go to the Indies, my Mary?, op. 213 no. 4 (in A Burns Sequence) (Text: Robert Burns)
Winter, op. 19 no. 4 (in The Turning Year) (Text: Christopher Scaife) [x]*
With rue my heart is laden, op. 226 no. 3 (in Three Poems from "A Shropshire Lad") (Text: Alfred Edward Housman)
You stood before me like a thought, op. 242 no. 5 (in Recollections of Love) (Text: Samuel Taylor Coleridge)

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