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Composer: Andrew Downes (1950-)
Website: http://www.users.globalnet.co.uk/~downlyn/index.html
Alphabetic listing of musical settings [warning - not necessarily comprehensive]
[x] indicates a placeholder for a text that is not yet in the database
* indicates that a text is thought to be copyright and that we have no permission to display it on the website. For some of the texts marked this way, we have incomplete information about their copyright status. They may in fact be public domain.
Song Cycles, Symphonies, etc.
All titles of vocal settings in our database, in alphabetic order
A Night in November, op. 15 no. 3 (Text: Thomas Hardy)
A Wife Waits, op. 1 no. 3 (Text: Thomas Hardy)
After the Club Dance, op. 1 no. 4 (Text: Thomas Hardy)
After the Fair, op. 1 no. 5 (Text: Thomas Hardy)
At Castle Boterel, op. 29 no. 4 (Text: Thomas Hardy)
Dora Williams (Text: Edgar Lee Masters)
Dreamland, op. 42 (Text: Edgar Allan Poe)
Former beauties, op. 1 no. 2 (Text: Thomas Hardy)
Hear us, O Hear us, Lord, op. 11 no. 5 (Text: John Donne)
I sing the progress of a deathless soul, op. 11 no. 1 (Text: John Donne)
Last Love Word, op. 15 no. 4 (Text: Thomas Hardy)
Lost Love, op. 15 no. 2 (Text: Thomas Hardy)
Ollie McGee (Text: Edgar Lee Masters)
Rebecca Wasson (Text: Edgar Lee Masters)
Russian Sonia (Text: Edgar Lee Masters)
Sarah Brown (Text: Edgar Lee Masters)
Something Tapped, op. 29 no. 2 (Text: Thomas Hardy)
Spit in my face, ye Jews, op. 11 no. 2 (Text: John Donne)
The Ballad Singer, op. 1 no. 1 (Text: Thomas Hardy)
The curtains now are drawn, op. 29 no. 5 (Text: Thomas Hardy)
The Division, op. 29 no. 1 (Text: Thomas Hardy)
The Virgins, op. 11 no. 3 (Text: John Donne)
The Walk, op. 15 no. 1 (Text: Thomas Hardy)
When senses, which thy soldiers are, op. 11 no. 4 (Text: John Donne)
Where the picnic was, op. 29 no. 3 (Text: Thomas Hardy)
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