WARNING! This website contains both public-domain AND copyright-protected material.
It is illegal to copy and distribute material marked copyright
To submit public comments (world-readable), please sign the guestbook.
To submit translations or texts, request a text/translation, or send a
private message to the owner of this website, please send an e-mail to
Emily Ezust at the following address:
(emily at lieder dot net)
When submitting material, please provide as much information as possible, such as:
Source of text (music score, book, CD booklet, internet poetry site, concert program, etc.) - if a score or book, bibliographical information is appreciated
If you are submitting a text,
please check under the index of first lines
to make sure the text doesn't already exist in the collection - often
the same text is set under many different titles.
Dates of composition and/or publication, for the setting and the text, if possible.
Textual changes that might have been made from the original text
Composer and Text Author information if missing from the website
Please do not send me copyright translations (from CD booklets or published books) unless you have
obtained permission for them to be reproduced on this site.
To request permission to reprint a translation that appears on this
website, please contact the translator directly. Every volunteer
translator retains his or her copyright. If contact information is
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is nothing there, it means I have no current contact information and
you will need to find out how to contact the translator (or their
You may reprint (offline) any translations by Emily Ezust for student or faculty recital programs or free concerts without asking permission
provided the following credit is
Translation copyright © by Emily Ezust,
from The Lied, Art
Song, and Choral Texts Archive: http://www.lieder.net/
For all other purposes, including CD booklets, re-publication online,
and reprinting in non-academic programs, please contact
me to discuss a possible fee.
This is a personal project that I began in 1995. I receive no salary
for my full-time work on it, and aside from ad revenue and copyright fees,
the Archive is supported financially by fewer than 0.02% of our visitors.
The REC Music Foundation has generously
provided server-space since 1996, but I have many costs in
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So if you find
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- Emily Ezust
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