1. Childhood among the ferns
Language:
English
Authorship
I sat one sprinkling day upon the lea
[ ... ]
Please note: we believe this text is copyright under U.S. copyright law.
We will not display it until we obtain permission to do so (or discover it to be public-domain).
2. Before and after summer
Language:
English
Authorship
Looking forward to the spring
One puts up with anything.
On this February day,
Though the winds leap down the street,
Wintry scourgings seem but play,
And these later shafts of sleet
- Sharper pointed than the first -
And these later snows - the worst -
Are as a half-transparent blind
Riddled by rays from sun behind.
Shadows of the October pine
Reach into this room of mine:
On the pine there stands a bird;
He is shadowed with the tree.
Mutely perched he bills no word;
Blank as I am even is he.
For those happy suns are past,
Fore-discerned in winter last.
When went by their pleasure, then?
I, alas, perceived not when.
Input by Ted Perry
3. The self-unseeing
Language:
English
Authorship
See other settings of this text
Here is the ancient floor,
Footworn and hollowed and thin,
Here was the former door
Where the dead feet walked in.
She sat here in her chair,
Smiling into the fire;
He who played stood there,
Bowing it higher and higher.
Childlike, I danced in a dream;
Blessings emblazoned that day;
Everything glowed with a gleam;
Yet we were looking away!
4. Overlooking the river
Language:
English
Authorship
The swallows flew in the curves of an eight
Above the river-gleam
In the wet June's last beam:
Like little crossbows animate
The swallows flew in the curve of an eight
Above the river-gleam.
Planing up shavings of crystal spray
A moor-hen darted out
From the bank thereabout,
And through the stream-shine ripped his way;
Planing up shavings of crystal spray
A moor-hen darted out.
Closed were the kingcups; and the mead
Dripped in monotonous green,
Though the day's morning sheen
Had shown it golden and honeybee'd;
Closed were the kingcups; and the mead
Dripped in monotonous green.
And never I turned my head, alack,
While these things met my gaze
Through the pane's drop-drenched glaze,
To see the more behind my back...
O never I turned, but let, alack,
These less things hold my gaze!
5. Channel firing
Language:
English
Authorship
See other settings of this text
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares;
We thought it was the Judgment-day
And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,
The glebe cow drooled. Till God called, "No;
It's gunnery practice out at sea
Just as before you went below;
The world is as it used to be:
"All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.
"That this is not the judgment-hour
For some of them's a blessed thing;
For if it were they'd have to scour
Hell's floor for so much threatening ...
"Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need)."
So down we lay again. "I wonder,
Will the world ever saner be,"
Said one, "than when He sent us under
In our indifferent century!"
And many a skeleton shook his head.
"Instead of preaching forty year,"
My neighbour Parson Thirdly said,
"I wish I had stuck to pipes and beer."
Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.
First published in Fortnightly Review, May 1914
See also "...and starlit Stonehenge", D. Jex's setting, which either refers to or uses this text.
Input by Ted Perry
6. In the mind's eye
Language:
English
Authorship
See other settings of this text
That was once her casement,
And the taper nigh,
Shining from within there,
Beckoned, "Here am I!"
Now, as then, I see her
Moving at the pane;
Ah, 'tis but her phantom
Borne within my brain!
Foremost in my vision
Everywhere goes she;
Change dissolves the landscapes,
She abides with me.
Shape so sweet and shy, Dear,
Who can say thee nay?
Never once do I, Dear,
Wish thy ghost away.
7. The too short time
Language:
English
Authorship
Nine leaves a minute
[ ... ]
Please note: we believe this text is copyright under U.S. copyright law.
We will not display it until we obtain permission to do so (or discover it to be public-domain).
8. Epeisodia
Language:
English
Authorship
Past the hills that peep
Where the leaze is smiling,
On and on beguiling
Crisply-cropping sheep;
Under boughs of brushwood
Linking tree and tree
In a shade of lushwood,
There caressed we!
Hemmed by city walls
That outshut the sunlight,
In a foggy dun light,
Where the footstep falls
With a pit-pat wearisome
In its cadency
On the flagstones drearisome
There pressed we!
Where in wild-winged crowds
Blown birds show their whiteness
Up against the lightness
Of the clammy clouds;
By the random river
Pushing to the sea,
Under bents that quiver
There shall rest we.
9. Amabel
Language:
English
Authorship
I marked her ruined hues,
Her custom-straitened views,
And asked, "Can there indwell
My Amabel?"
I looked upon her gown,
Once rose, now earthen brown;
The change was like the knell
Of Amabel.
Her step's mechanic ways
Had lost the life of May's;
Her laugh, once sweet in swell,
Spoilt Amabel.
I mused: "Who sings the strain
I sang ere warmth did wane?
Who thinks its numbers spell
His Amabel?" -
Knowing that, though Love cease,
Love's race shows undecrease;
All find in dorp or dell
An Amabel.
- I felt that I could creep
To some housetop, and weep,
That Time the tyrant fell
Ruled Amabel!
I said (the while I sighed
That love like ours had died),
"Fond things I'll no more tell
To Amabel,
"But leave her to her fate,
And fling across the gate,
'Till the Last Trump, farewell,
O Amabel!'"
Input by Ted Perry
10. He abjures love
Language:
English
Authorship
At last I put off love,
For twice ten years
The daysman of my thought,
And hope, and doing;
Being ashamed thereof,
And faint of fears
And desolations, wrought
In his pursuing.
Since first in youthtime those
Disquietings
That heart-enslavement brings
To hale and hoary,
Became my housefellows,
And, fool and blind,
I turned from kith and kind
To give him glory.
I was as children be
Who have no care;
I did not shrink or sigh,
I did not sicken;
But lo, Love beckoned me,
And I was bare,
And poor, and starved, and dry,
And fever-stricken.
Too many times ablaze
With fatuous fires,
Enkindled by his wiles
To new embraces,
Did I, by wilful ways
And baseless ires,
Return the anxious smiles
Of friendly faces.
No more will now rate I
The common rare,
The midnight drizzle dew,
The gray hour golden,
The wind a yearning cry,
The faulty fair,
Things dreamt, of comelier hue
Than things beholden!...
- I speak as one who plumbs
Life's dim profound,
One who at length can sound
Clear views and certain.
But - after love what comes?
A scene that lours,
A few sad vacant hours,
And then, the Curtain.
|
Search/Shop for
Sheet music:
Search sheetmusicplus.com for
Before and After Summer,
Art song ,
Lieder,
chansons, or works for solo voice
Search musicroom.com for
Before and After Summer,
vocal/choral music
CDs:
Search amazon.com for
Before and After Summer,
art song,
Lieder, or
chansons
Search amazon.ca for
Before and After Summer,
art song,
Lieder, or
chansons
Books:
The Art of the Song Recital [amazon.com]
The Book of Lieder: The Original Texts of Over 1000 Songs [amazon.com]
Search amazon.com for
art song, Lieder, or
chansons
Search amazon.ca for
art song,
lieder, or
chansons
|